[7月6日| 转播] 普契尼的《蝴蝶夫人》Madama Butterfly by Giacomo Puccini
歌剧是一个丰富的艺术宝库。通过歌声，音乐和舞美来表达人类的情感，如仇恨，嫉妒，爱情，激情……
歌剧是一种多种艺术融为一体的综合性艺术，我们能通过它的舞美、作曲和唱词来了解文化的多样性，认识不同国家的文化和历史背景，阅读一个个动人的故事。歌剧是无可比拟的文化美学价值和艺术价值之间的纽带，可以激起观者的各种感受。它对跨文化交流有着重要价值。
7月，Temple东景缘将携手北京塞万提斯学院为大家带来一部著名歌剧《蝴蝶夫人》。
普契尼《蝴蝶夫人》转播
Retransmission of “Madama Butterfly” by Giacomo Puccini
原文，英文字幕
Original language with English subtitles
演出时间：2017年7月06日 19:30，19:00入场开始
Performance Time: 19:30, 06 July 2017 (Registration starts at 19:00)
活动地点：北京市东城区沙滩北街嵩祝院23号
Temple东景缘大殿内
Location: Main Hall @ Temple东景缘，No. 23, Song Zhu Yuan Sha Tan Bei Jie, Dong Cheng District, Beijing
活动票价：150元
Tickets: 150RMB
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《蝴蝶夫人》是意大利作曲家普契尼的作品，也是世界上演出次数最多的歌剧之一。普契尼创作的日本艺妓乔乔桑也就是蝴蝶夫人的抒情悲剧感动了所有的观众。
Teatro Real, in cooperation with Instituto Cervantes, presents Madama Butterfly, one of the most popular operas ever performed in theaters worldwide. The tragic history of the geisha Cio Cio San - best known as Madama Butterfly - as told by Puccini touches any audience.
该剧以日本为背景，讲述一位美国军官和日本艺妓的爱情故事。剧中，普契尼在音乐上直接采用了《江户日本桥》、《狮子舞》、《樱花》等日本民歌来表明乔乔桑的艺妓身份和天真心理，具有独特的音乐色彩。他还巧妙地把日本旋律同意大利风格融为一体，而丝毫没有突兀感。乔乔桑的咏叹调《晴朗的一天》是普契尼歌剧中最受欢迎的歌曲之一，也是歌剧选曲中最常见的女高音曲目。它运用较长的宣叙性的抒情曲调、把蝴蝶夫人坚信平克尔顿会归来与她幸福重逢的心情，描写得细腻贴切，体现了普契尼这位歌剧音乐色彩大师的高超创作手法。
A temporary wife was a widespread practice in Japan at the end of the 19th century. The West - with the United States leading - had established diplomatic and commercial relations with the country in the mid-century and the fascination with the birth place of geishas spread like wild fire. The influence of a distant (and imaginary) Orient would take form in works by a variety of European and North American artists that continued well into the 20th century. In this way, Butterfly is a crass embodiment of the conflict between two irreconcilable civilizations, one which dominates the other. A man of a subtle theatrical spirit, Puccini portrayed brilliantly the fragility of a geisha in love who naively believed the dashing North American marine official also loved her. The musical score evokes agreeably harmonized traditional Japanese melodies.
这样一部伟大歌剧的首演却是以惨败而告终。对此，普契尼非常伤心和失望，但他并没有失去信心， 对《蝴蝶夫人》进行了较大的删改，并于1904年5月在意大利的布雷西亚再次公演。这次公演获得了意想不到的空前成功。
The premiere of Madama Butterfly in Milan in 1904 was a fiasco, but Puccini, persuaded it was his most expressive and authentic work, was not discouraged and fought to make it a success. Time proved him right.
这一次导演马里奥·加斯将观众带到电影里三十年代的花园，通过三个视角来让观众更好的欣赏普契尼的这部经典之作。
Stage director Mario Gas imagines the opera on a cinema set in the 1930s and narrates the poignant drama from three simultaneous perspectives: the opera itself, the film being made of the opera and its projection in black and white on a large screen.
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《蝴蝶夫人》的转播是《皇家歌剧院的西班牙艺术家》活动的一部分，该活动将一系列来自西班牙著名导演、作曲家、舞者和歌者的作品带到中国，使这些动人的作品除在西班牙马德里皇家歌剧院之外，为更多的中国观众所熟知。
The retransmission of Madama Butterfly is part of “Artistas españoles en el Teatro Real”, a selection of the best of European culture produced by famous Spanish directors, composers and dancers and staged at Teatro Real in Madrid.
马德里皇家歌剧院 ABOUT TEATRO REAL
马德里皇家歌剧院是西班牙顶尖歌剧院。它与普拉多博物馆和索菲亚王后艺术中心并成为西班牙最重要的三大文化中心。
The Teatro Real is Spain's leading opera house. It is considered to be one of the three most important cultural institutions in Spain together with the Museo Nacional del Prado and the Museo Nacional Centro de Arte Reina Sofía.
北京塞万提斯学院携手马德里皇家歌剧院，在北京放映一系列阵容强大的西班牙歌剧，旨在让中国观众了解优秀的西班牙表演艺术。其中两部著名歌剧《蝴蝶夫人》和《卡门》将在Temple东景缘进行转播。这两部歌剧在马德里皇家歌剧院首演后，是首次也是唯一一次将在中国大屏幕进行转播，让中国观众有机会身临其境般体验西班牙歌剧的魅力。《卡门》将于10月份于Temple东景缘进行转播，将为本次活动画上圆满的句号。
In collaboration with Instituto Cervantes, Teatro Real has launched in Beijing a cycle of projections with the aim of promoting the excellence of Spanish performing arts in China. Emblematic operas such as Madama Butterfly and Carmen, which will close the cycle, are retransmitted at Temple东景缘 in July and October respectively. Being the original retransmission straight from the Premier at Teatro Real, this projection represents a unique opportunity to experience this wonderful opera as genuinely as it can get in China.
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《蝴蝶夫人》
作曲：贾科莫·普契尼（1858年至1924年）
唱词：朱塞佩·吉科萨和路易吉·利卡在戴维·贝尔斯科的歌剧《蝴蝶夫人》的基础上改编，贝尔斯科的歌剧灵感来于美国小说家约翰·卢瑟朗的短篇小说《蝴蝶夫人》。
1904年2月17日首演于米兰斯卡拉剧院
1907年11月20日首演于皇家歌剧院
皇家歌剧院制作
皇家歌剧院的合唱团和乐团
音乐总监：马科·阿米利托
导演：马里奥·加斯
布景：埃齐奥弗里杰里奥
形体指导：弗兰卡·斯夸尔恰皮诺
灯光：温西奥·切利
合唱团导演：安德烈斯·马斯佩罗
蝴蝶夫人：埃尔莫内拉·贾霍
铃木：Enkelejda Shkosa
凯特·平克顿夫人：马里夫·诺加莱斯
平克顿：豪尔赫·德莱昂
夏普勒斯：安吉尔·奥德纳
弗拉基米尔·斯托亚诺夫
吾郎：弗朗西斯科·沃什
山鸟王子：托梅·比勒尼
Madama Butterfly
Music by Giacomo Puccini (1858-1924)
Libretto by Giuseppe Giacosa and Luigi Illica, based on the theater play Madama Butterfly by David Belasco, inspired by a short story by John Luther Long
First performed at the Teatro alla Scala in Milan on 17 February 1904
First staged at Teatro Real on 20 November 1907
Production by Teatro Real 2017
Principal Choir & Orchestra by Teatro Real
Artistic Sheet
Conductor: Marco Armeggiato
Director: Mario Gas
Set Design: Ezio Frigerio
Figurines: Franca Squarciapino
Lighting Designer: Vinicio Cheli
Choir Director: Andrés Máspero
Madama Butterfly: Ermonela Jaho
Suzuki: Enkelejda Shkosa
Mrs. Kate Pinkerton: Marifé Nogales
B.F. Pinkerton: Jorgede León
Sharpless: Ángel Ódena
Vladimir Stoyanov
Goro: Francisco Vas
Prince Yamadori: Tomeu Babylon
Uncle Bonzo: Fernando Radó
Yakusidé: Miguel Ángel Arias
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